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By Claudio Magris

Translated via M. S. Spurr

Early this century Enrico, a tender highbrow, leaves the abundantly assorted Austro-Hungarian urban of Gorizia with its combined inhabitants and tradition, to spend numerous years dwelling at the Patagonian pampas, on my own along with his historical Greek texts, his flocks and each at times a lady. He has been taught by means of his closest buddy, Carlo, a philosopher/poet who commits suicide in his early twenties, to go looking for an actual existence, freed from social falsehoods. yet in his look for this not possible aim, Enrico destroys each likelihood he has of a standard lifestyles; even after his go back to dwell a lifetime of ever-increasing isolation by way of the Istrian beach, his makes an attempt at human sex, at significant love, are thwarted. In recounting the lifestyles and personality of Enrico, ostensibly one among Life's disasters, Claudio Magris paints a remarkably clever and observant photograph of a complete global in ferment, that of the decaying Austro-Hungarian empire, shaken to its foundations through the good conflict, and rising from the German profession and the Communist revolution ripe for disintegration and ceaselessly looking, as does Enrico, for a cause to move on dwelling.

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If it is not unprintable," naming the principal obscenity that had larded the conversation. The man, Agustín, spoke so obscenely, coupling an obscenity to every noun as an adjective, using the same obscenity as a verb, that Robert Jordan wondered if he could speak a straight sentence. Agustín laughed in the dark when he heard the word. "It is a way of speaking I have. Maybe it is ugly. Who knows? Each one speaks according to his manner. Listen to me. The bridge is nothing to me. As well the bridge as another thing.

He started up the hill, moving carefully and taking advantage of the cover until they were out of sight. Anselmo followed him at a hundred yards distance. When they were well out of sight of the bridge, he stopped and the old man came up and went into the lead and climbed steadily through the pass, up the steep slope in the dark. "We have a formidable aviation," the old man said happily. " "Yes. " "Yes, man. More than anything. We all hunt in my village. " 40 of 458 Hemingway, Ernest - For Whom the Bell Tolls "No," said Robert Jordan.

Just now, talking to you, she was very good. We would have left her after the train. Certainly it was not worth being delayed by something so sad and ugly and apparently worthless. But the old woman tied a rope to her and when the girl thought she could not go further, the old woman beat her with the end of the rope to make her go. Then when she could not really go further, the old woman carried her over her shoulder. When the old woman could not carry her, I carried her. We were going up that hill breast high in the gorse and heather.

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